The elite of watchmaking
Few watchmakers are capable of making complications. |
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Of men and tools
“I’ve made a tool and now things are going to be great, we’ll make up for lost time…” |
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Keeping an art alive and changing
It would have been simply impossible to fit the 740 parts of the 1735 watch movement in the case’s 8 cubic centimetres without computerised assistance. The computer proves particularly useful for simulating the interaction of moving parts, finding design errors and confirming the movement’s overall coherence. |
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Great works of art in small dimensionsBlancpain workshops turn out thousands of different parts, the smallest of which are barely 0.05 mm thick – the thinness of a hair. Little wonder that the movements are protected under glass between manufacturing operations against the smallest speck of dust right up to the instant they are assembled by hand – no mean feat, even for Blancpain’s immensely skilled watchmakers. |
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The watchcaseCarved from a solid metal block, every Blancpain watchcase is meticulously shaped and finished. Even the slightest imperfection – a tiny surface roughness, a dimensional error or a flaw in the metal, for instance – is ground for instant elimination. Its interior is mirror-polished to reflect the indexes and improve the legibility of the watch. From initial shaping to final buffing, a Blancpain watchcase requires no fewer than 31 separate specialist operations. |
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The dialThe hour markers on a Blancpain dial are all affixed by hand – a delicate task demanding a steady hand and a sharp eye to catch the tiniest flaw or blemish. |
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EngravingThe work of Blancpain engravers in many ways resembles the magnificent embellishments found in mediaeval manuscripts. These artists too work in solitary silence, bringing to life all sorts of tiny figures – some saucy, some saintly. Blancpain relies on the talent and creativity of no more than four master engravers to turn some of its timepieces into absolutely unique works of art. Faithful to the art of watchmaking, three engravers craft every movement component with a respect for traditional methods. Even the bridges that bear the axes and pivots are worked, to become something more than mere supports. They are cut out, and shaped like waves or scrolls. Then they are polished or burnished. They are made of various metals that have to go well with the colour of the jewels. Decoration is often created even on the plate and the rotor. A fourth engraver adorns some of our watches with extremely refined automated scenes |
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A mechanical symphony
Assembling a movement is an art in itself. |
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The leather straps
Weeks of selecting the skins specially reserved for Blancpain, entire days of tanning in the shades exclusive to Blancpain, then 37 minutes to hand-sew each and every leather strap! All the art of leather and saddlery brought together to give that special unique touch to Blancpain leather straps. |
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The platinum, gold or steel braceletsThe bracelets represent an important accessory for many watch owners. Not only do they complete the aesthetic design of the watch, but they are essential to its wearing comfort. Each Blancpain bracelet is designed for great suppleness in order to adapt comfortably to the shape of the wearer’s wrist. They are finished and polished by hand according to the tradition of the master jeweller. |
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Concept 2000hile their redesign in no way challenges the primacy of stainless steel, Trilogy bezels, crowns and pushpieces feature components made of rubber. This unexpected aesthetic touch improves handling comfort while adding intriguing character to a design that fittingly complements their "Black Sun" dial featuring facetted hour markers and figures. |
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